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Exploring the Influence of Conceptual Art in Yohji Yamamoto’s Designs on Western Perceptions of Japanese Fashion

Lingyi Wang

Abstract


Yohji Yamamoto,a Japanese designer,gained international recognition in the fashion industry with his original creations after the Second World War,and he successfully introduced Eastern aesthetics to the world.This article argues that the”conceptual art”present in Yamamoto’s designs influenced Western attitudes towards Japanese fashion.By analyzing the historical context,family background,and life experiences of Yamamoto,as well as examining the formation of his three main design styles—anti-fashion,genderlessness,and deconstruction—the article highlights Yamamoto’s unique understanding of clothing,fashion,and the human body. It becomes evident that his design philosophy has had a significant impact on contemporary fashion designers and clothing brands.

Keywords


Yohji Yamamoto;Fashion design;Anti-fashion;Genderlessness;Deconstruction

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References


[1] Basset, A. and Kaddy, R.The Integrative Relationship between Conceptual Art and Fashion Design Art[J].Lifesciencesite.com. Available at,2016:24.

[2] Romano, A., What’s in a Narrative? Interpreting Yohji Yamamoto in the Museum. In: Crouch, M. and Witt-Paul, A. , ed. Fashion Forward. Oxford, United Kingdom: Inter-Disciplinary Press, 2011:57-69.

[3] Salazar, L. With my eyes turned to the past, I walk backwards into the future. In L. Salazar (Ed.).Yohji Yamamoto. London: V&A Publishing,2011:14-53.

[4] Kimura, S. 1986, “JAPAN’S MIDDLE EAST POLICY--IMPACT OF THE OIL CRISIS”, American - Arab Affairs,1986:62.

[5] Loscialpo, F., Fashion and Philosophical Deconstruction: A Fashion In-Deconstruction. In: Crouch, M. and Witt-Paul, A. , ed., Fahion Forward. Oxford: InterDisciplinary Press, 2011:13-27.




DOI: http://dx.doi.org/10.18686/ahe.v7i36.12690

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