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Hayao Miyazaki with His Spirited Away

Hao Zhang, Jiaqi Guan

Abstract


As the only Asian who can compare with The Walt Disney Company and DreamWorks Studios, Hayao Miyazaki earns the unique position in the world animation industry. From wild view of Miyazaki’s film, it is easy to find out that almost all of his works put the naive girl as the protagonist, the girl always accompanied with some fantastic little creatures, telling meaningful story with nature color background and peaceful music are also some mystical creatures. In this essay, I will analyze one of Hayao Miyazaki’s film “Spirited Away” in 6 aspects (Women supremacist, creatures, landscape design, human warning, background music and background colour.)

Keywords


Hayao Miyazaki; Animation; Film; Studio Ghibli; Chiniro

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References


[1] Mark, S. (1997). Miyazaki Hayao and studio Ghibli, the animation hit factory. Japan Quarterly, Vol.44(1), p.30-40.

[2] Laity, K & Wendy, G. (2004). Japanese Magic: The Girl-Friendly Films of Hayad Miyazaki. Femspec, Vol.5(1), p.140.

[3] Steve, D. (2005). King of the ‘Castle’. Entertainment Weekly, Vol.826/827, p.142.

[4] Mehdi, E., Nozha, B., & Adel, A. (2010). Scene pathfinder: unsupervised clustering techniques for movie scenes extraction. Multimedia Tools and Applications, Vol.47(2), p.325-346. IDOI: 10.1007/s11042-009-0325-5

[5] Franklin, H. (2011). Domesticating Modernity: Kinimatografikós Astír, the Work of the Imagination, and the Emergence of a National Cinema Culture, 1924–1927. Journal of Modern Greek Studies, Vol.29(1), p.51-71.

[6] John, B. (1999). What is the color of the Holy spirit? Pentecostalism and black identity in Brazil. Latin American Research Review, Vol.34(2), p.109-131




DOI: http://dx.doi.org/10.18686/ahe.v7i15.8754

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