• Login
  • Register
  • Search

Discussion on the Importance of Piano Chamber Music in College Piano Teaching

Jing Ma


With the progress of society and the enrichment of cultural life, people's appreciation of music is also increasing. But people still have a certain deviation in the understanding of the piano. As a professional practice course, piano lessons require students to be able to combine relevant theories and materials to correctly master playing skills, thereby improving their own musical quality. I think the piano is only suitable for solo, not for chamber music. In fact, the piano is suitable for all kinds of performances. Therefore, we should pay attention to the teaching of chamber music in piano teaching in colleges. Moreover, there are more and more students learning musical instruments in colleges and universities, and people are paying more and more attention to the cultivation of students' music quality. Therefore, colleges and universities should also change the traditional thinking, change the teaching mode, and strengthen the multi-faceted training of piano instruments.


Chamber Music; Piano Teaching; Teaching Mode; Importance; Reform Method

Full Text:



[1] Su L. The importance of piano chamber music in piano teaching in colleges and universities. Art Criticism 2020; (3): 118-119.

[2] Chen L. An analysis of the training value of piano performance in college chamber music. Art Criticism 2019; (16): 103-104.

[3] Sun Y. On the characteristics of piano teaching in American colleges and universities focusing on ensemble teaching and its enlightenment to my country. Chinese Music Education 2016; (12): 45-47.

[4] Hou J, Lei L. Research on the influencing factors of chamber music on music majors in ordinary universities in my country. Friends of Humanities 2019; (17): 139-140.

[5] Wang L. Research on piano basic teaching in ordinary colleges and universities. China Nationalities Expo 2015; (22): 48-49.

[6] Xian Y. Discussion on double piano performance and teaching in colleges and universities. Northern Music 2019; 39(9): 141-142.

DOI: http://dx.doi.org/10.18686/ahe.v5i1.3107