The Influence and Reflection of Chinese Philosophy on the Aesthetics of Chinese Printmaking
Abstract
From the pre Qin Confucianism, the Two Han Dynasties Confucian to the Song and Ming Neo Confucianism, ancient
Chinese traditional philosophy not only has a systematic development trend, but also presents intuitive philosophical laws through the
history of Chinese calligraphy and painting aesthetics. To deeply analyze the connection between Chinese philosophy and Chinese
aesthetics, it is necessary to start thinking from pre Qin philosophy. In this context, this article is based on the philosophical concepts of
Laozi and Zhuangzi, and takes Chinese printmaking as the research object of calligraphy and painting art. Through philosophical concepts
such as “nature” and “six laws”, it elaborates on the infl uence of Chinese philosophy on the aesthetics of Chinese printmaking, and further
analyzes the aesthetic standards and value orientation in Chinese art practice.
Chinese traditional philosophy not only has a systematic development trend, but also presents intuitive philosophical laws through the
history of Chinese calligraphy and painting aesthetics. To deeply analyze the connection between Chinese philosophy and Chinese
aesthetics, it is necessary to start thinking from pre Qin philosophy. In this context, this article is based on the philosophical concepts of
Laozi and Zhuangzi, and takes Chinese printmaking as the research object of calligraphy and painting art. Through philosophical concepts
such as “nature” and “six laws”, it elaborates on the infl uence of Chinese philosophy on the aesthetics of Chinese printmaking, and further
analyzes the aesthetic standards and value orientation in Chinese art practice.
Keywords
Chinese philosophy; Chinese aesthetics; print; Aff ected
Full Text:
PDFReferences
[1] Wenjun Huang. Exploration of the Infl uence of Chinese Philosophy on the Aesthetics and Artistic Practice of Chinese Printmaking [J]. Writer’s World,
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[2] Lin Zhang. Types of Methods for Inheriting Traditional Chinese Philosophy: Refl ections Centered on the “Five Cognitive Paradigms” [J]. Journal of the
Party School of the Ningbo Municipal Committee of the Communist Party of China, 2021, 43 (04): 90-94.
[3] Zengjie Li. An Analysis of the Infl uence of Laozi and Zhuangzi Philosophy on Chinese Aesthetics [J]. Mangzhong, 2015, (24): 137-138.
DOI: http://dx.doi.org/10.18686/modern-management-forum.v8i6.13220
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