• Login
  • Register
  • Search

On zhouxiaoxia's landscape paintings

Shiming Wang

Abstract


since the Warring States period, Wei and Jin Dynasties, the landscape has gradually been separated from the main body
of figure painting as a foil ornament to form a relatively independent painting branch; After the continuous development of the Sui,
Tang and Song Dynasties, it began to mature and enter the peak period from depicting the natural landscape to integrating the painter's
personal feelings; In modern times, through the inheritance and innovation of the Ming and Qing Dynasties, Chinese landscape painting
has entered a highly prosperous creative period. The contemporary Chinese landscape painting is further developed on this basis. The rich
types of landscape painting styles are not only blended and interwoven, but also diversifi ed and symbiotic, and together build a brand-new
contemporary landscape of landscape painting. Regional, national, traditional, contemporary... The diversity of landscape painting art is
in full bloom, just like forming a new image of a thriving new era of landscape painting. Zhouxiaoxia's artistic creation path of landscape
painting is a typical case under the current diversifi ed development of Chinese landscape painting. Her study of landscape painting is not
only based on the research and practice of traditional Chinese painting lines, ink, and colors; While learning from the ancients and traditions,
she also closely combines her personal creative perception and inner feelings, and constantly explores the content, form, ideological
connotation and humanistic implication of landscape painting creation.

Keywords


landscape painting;Painter;Chinese Landscape Painting

Full Text:

PDF

Included Database


References


[1] Compiled by Jianhua Yu Chinese Painting Theory Series: landscape pine stone lattice, [m]Beijing: People’s fi ne arts publishing house, 1986:587

[2] Compiled by Jianhua Yu Chinese Painting Theory Series: brief Volume I of dreamhouse painting, [m]Beijing: People’s fine arts publishing house,

1986:951

[3] Compiled by Jianhua Yu “Compilation of Chinese painting theory · Volume I of mustard boat academic painting compilation” [m]Beijing: People’s fi ne

arts press, 1986:868

[4] Qiaobin Deng History of Chinese painting thoughts, [m]Guiyang: Guizhou people’s publishing house, 2011:255

[5] Anzhi Zhang Chinese painting and painting theory, [m]Shanghai: Shanghai People’s fi ne arts publish ing house, 1986:263

[6] [UK] Michael SullivanDistant mountains and rivers: the art of Chinese landscape painting, [m]Shan ghai: Shanghai calligraphy and painting press, 2015:61

[7] Compiled by Jianhua Yu Chinese Painting Theory Series: preface to landscape painting, [m]Beijing: People's fi ne arts press, 1986:583

[8] Compiled by Jianhua Yu Chinese Painting Theory Series: Quotations of balsam pear monk painting, [m]Beijing: People's fi ne arts press, 1986:149

[9] Bing Han Analysis of artistic conception beauty in Chinese landscape painting [j]Xinmeiyu, 2022 (09): 16-18

[10] Xiaoxia Zhou"Weird guy" youth and the construction of urban public space -- Taking Beijing adventure garden cafe and scientifi c squirrel club as

examples [j]Youth exploration, 2012 (04): 79-82

[11] Lin Zeng Analysis of Dongyuan river bank map [j]Collector, 2017 (07): 52-56

[121 Liyan Hou. Introduction to economic law, [m]Beijing: China University of political science and Law Press, 2012

[13] Baidu EncyclopediaShenzongqian"Mustard boat painting series" .[eb]/[ol], 2012-11-20]https://baike.baidu.com/item/%E8%8A%A5%E8%88%9F%E5%

AD%A6%E7%94%BB%E7%BC%96/10774679?fr=aladdin

[14] Jun Qian, Zongqian Shen's landscape album and others [j]Southeast culture, 2000 (06): 40-43

[15] Hongye Cao Research on fan Qi's landscape painting [d]East China Normal University, 2016




DOI: http://dx.doi.org/10.18686/modern-management-forum.v7i1.7429

Refbacks