• Login
  • Register
  • Search

The Influence of Guangzhou Thirteen Line Arts and Crafts on Western Aesthetics in the Context of Chinese Landscape Aesthetics

Junhong Gao, Zhonghua Xiong

Abstract


This paper analyzes the infl uence of Guangzhou 13 Lines of arts and crafts on Western aesthetics from the perspective of Chinese landscape aesthetics, mainly through the introduction of landscape aesthetics, the relationship and integration of Guangzhou 13 lines of arts and crafts and landscape aesthetics, how to infl uence the western aesthetics at that time and the future of Guangzhou 13 lines of arts and crafts as a link between Chinese and Western culture.

Keywords


Landscape aesthetics; Thirteen lines of Guangzhou; Cultural exchange and communication

Full Text:

PDF

Included Database


References


[1] Ning Gang, He Ping. Flowery Huazhang: Analysis of Artistic characteristics of Guangcai porcelain [J]. Journal of Nanjing University of the Arts (Fine Arts and Design Edition),2009(05):138-142.

[2] Shen Qian. Landscape Comparison: A Brief discussion on the natural Aesthetics of Pre-Qin Confucianism [J]. Journal of Guizhou University (Social Sciences Edition),1999(03):18-21.

[3] LIU Shaojin. Landscape Culture and Chinese Aesthetic Tradition [J]. Jinan Journal (Philosophy and Social Sciences),1998(03):57-64.

[4] Yang Changxiong. Milestone of landscape Aesthetics Research: A Brief Review of Landscape Beauty [J]. Southern Literature Circle,1996(02):63-64+62.




DOI: http://dx.doi.org/10.18686/ahe.v7i29.10769

Refbacks