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A Brief Analysis of the Singing Style of Huang Zi’s Art Song “Dot Crimson Lips-Fu Teng Lou”

Yong Yang

Abstract


The purpose of this paper is to analyze Huang zi’s art song “point crimson lips, Fu to the building”, focusing on its unique singing style and its performance in the art of music. First of all, it discusses how Huang Zi’ s music and poetry can be deeply integrated in this work, focusing on the mutual refl ection of melody and word meaning, the musical expression of emotion, and the poetic treatment of music elements. Secondly, it analyzes the characteristics of singing style in the works, including melody processing, the use of rhythm and beat, the depth of emotional expression, and the fi ne use of sound techniques. In addition, it also puts forward the status of Huang zi’s works in the fi eld of art songs, emphasizing its importance in innovation and integration, its contribution to Chinese art songs, and its influence and enlightenment on later generations, aiming to show the artistic charm of Huang zi’s works and its important position in the history of Chinese music through a detailed analysis of “point crimson lips · Fu to the building.

Keywords


Art songs; Singing style; Analysis

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References


[1] Xu Wenwu. Huang Zihe’s Historical Contribution to Reviving the Music Textbook of Junior High School [J]. Symphony (Journal of Xi’an Conservatory of Music),2021,40(4):52-67.

[2] Li Peng. Comparison of Huang Zi and Schubert’s Musical Styles -- Taking “Homesickness” and “Serenade” as Examples [J]. Contemporary Music, 2022(8):107-109.

[3] Song Ke Jin. The Intrinsic Meaning and Value of Huang’s Art Songs from the Perspective of Music Analysis -- Taking the Song “Homesickness” as an Example [J]. Theatre House, 2022(35):63-65.




DOI: http://dx.doi.org/10.18686/ahe.v7i31.11558

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