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Research on the Application Method of Ideological and Political Elements in Piano Performance Course in the New Era

Fan Zhang

Abstract


Students’ ideology is not yet fully mature, teachers need to carry out eff ective education and guidance, to promote its gradually form a more positive ideology, and then can achieve the purpose of eff ectively improving the quality of students’ thought. Through aesthetic education and moral education, music teaching can promote students to gradually understand “beauty” in the process of learning music knowledge and feeling music melody, and then under the guidance of continuous education, form a more positive aesthetic consciousness and enhance aesthetic creativity. This has diff erent eff ects on students’ cognitive development, thinking improvement and ideological progress. Especially in the piano performance course, we should infi ltrate the ideological and political content, carry out the ideological and political education in the course, eff ectively infi ltrate the ideological and political education in the process of piano performance teaching and learning, mobilize the subjective initiative of students, make them gradually enhance the aesthetic creation consciousness, enhance the ideological height and broaden the ideological dimension in the perception, feeling and experience.

Keywords


Piano playing course; Ideological and political elements; Application method

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References


[1] Liu Leijun. Research and Practice on Teaching Mode Reform of “Piano Performance Foundation” Course from the Perspective of Ideological and Political Education [J]. Journal of Nanchang Hangkong University (Social Science Edition),2022,24(4):100-107.

[2] Liu Na. Research on Piano Performance Teaching from the Perspective of Ideological and Political Education -- Taking the Teaching of Red Piano Works as an Example [J]. Journal of Weifang University, 2022,22(3):108-111.

[3] Wen Yurong. The ideological and political integration of Chinese piano works under the background of the new era -- Taking the works in the early days of the founding of the people’s Republic of China as an example [J]. Art Evaluation, 2022(6):111-113.




DOI: http://dx.doi.org/10.18686/ahe.v7i32.11773

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