A Survey of Extended Techniques Encountered in Contemporary Artmusic for Choir
Abstract
To present this series of modern music works, there are many relevant factors worth discussing, including social development factors and the rise of technology to create modern music works. The primary purpose of this literature review is to explore the extension techniques encountered by contemporary choirs in modern music works, that is, composers use some special techniques that are not found in the past choral works in creating works.[1]
In this literature review, we will first elaborate on the understanding of contemporary chorus music works. Then analyse in detail the extended technique created by the composer in these choral works.
The scope of this literature review is limited. The creation of contemporary chorus music may still be generating extended skills. Here, it is only points out that some representative emerging skills exist in chorus works, but it does not represent all the works of modern music.
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[1] Copeland, P. (2017). Technology and the Choral Art: New Technologies for the Choral Musician: Inspiration and Communication. The Choral Journal, 58(1), 59-66.
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[4] JOHN, E. (2012). THE CHORAL MUSIC OF JOHN CAGE. The Choral Journal, 53(5), 66-76.
[5] Joseph Flummerfelt, Weston H. Noble, Anton E. Armstrong, Graeme Morton, & Frank Abrahams. (2005). Teaching music through performance in choir. Modern Music (pp.40-47) Chicago: GIA Publications.
[6] PALKKI, J. (2013). THE INFLUENCE OF THE KALEVALA ON CONTEMPORARY FINNISH CHORAL MUSIC. The Choral Journal, 54(4), 34-43.
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[8] Zielinski, R. (2005). KAROL SZYMANOWSKI (1882-1937): The Father of Contemporary Polish Choral Music. The Choral Journal,46(3), 8-24.
DOI: http://dx.doi.org/10.18686/ahe.v8i1.12859
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