Research on Music Fusion and Confl ict in Chinese Music Culture in the Second Half of the 20th Century
Abstract
The “Chinese-Western Music Contest” debate has been central to modern music history’s development and has significantly impacted Chinese music art, cultural identity, and national confidence. It has split the music field into two camps: one supports complete Westernization and learning from the Western music system, while the other focuses on preserving Chinese traditional music and advocates for a blend of Western advantages with traditional elements.
Keywords
Chinese and western music dispute; Development of Chinese Music Culture Music trend of thought; Academic criticism
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[1] Zhang Jianqiang. My Perspective on the Relationship Between Chinese and Western Music[J]. Northern Music, 2010, (08): 48-49.
[2] Ju Qihong. Choosing Between History and the Future - A Commentary on the Debate of “The Path of Chinese Music Development in the 20th Century” (Part II)[J]. Huangzhong (Journal of Wuhan Conservatory of Music), 2006, (03): 52-61.
DOI: http://dx.doi.org/10.18686/ahe.v8i7.13695
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