Understanding of the Imitation of Qiuci Grottoes Murals
Abstract
This article combines the experience of imitating the murals in Cave 11 of Kizilgaha Grottoes, analyzes the relationship between graphics, colors, and materials of the imitation works, sorts out the language characteristics of ancient Qiuci murals, explores the inevitable connection between the limitations of natural geology and the generation of painting language, and thinks about the possibility of multi-directional extension of rock-color in contemporary time and space.
Keywords
Rock color painting; Qiuci Grottoes murals; Copying
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[1] Hu Mingzhe. Color and surface shaping: the formal framework of Rock color painting [M]. Beijing: Higher Education Press, 2017.
[2] Hu Mingzhe. Qiuci facing the wall: grammar analysis of Rock color painting [M]. Beijing: Higher Education Press, 2018.
[3] Zhuo Min, Cui Xiaodong. Silk Road·Rock Language: Collection of works from the Chinese Rock color painting Documentary Exhibition (Documentary Collection) [M]. Shijiazhuang: Hebei Fine Arts Publishing House, 2017.
DOI: http://dx.doi.org/10.18686/ahe.v8i10.13995
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