To Analyze the Modeling Concepts of "Realism", "Expressiveism" and "Realism" in Chinese Painting

Abstract

The exploration of Chinese painting's modeling philosophy has long been a focal point in academic circles. However, the distinction between its core concepts— "realistic representation," "expressive brushwork," and "realistic depiction" —remains ambiguous. This paper, through analyzing traditional painting theories and modern art history, clarifies that "realistic representation" and "expressive brushwork" are inherent modeling principles in ancient Chinese painting, while "realistic depiction" emerged as a new concept influenced by Western painting in modern times. By elucidating their historical origins and essential differences, this study aims to provide fresh perspectives for theoretical research in Chinese painting studies.