Women on the Move: Coaches, Roads, and the Escape from Domestic Trauma in Jane Eyre and The Tenant of Wildfell Hall
Abstract
Keywords
Full Text:
PDFReferences
[1] Brontë, Anny, The Tenant of Wildfell Hall (London: Penguin Group, 2012).
[2] Brontë, Charlotte, Jane Eyre (Beijing: Knowledge Publishing House, 2016).
[3] Cunningham, Alyson, Echoes of Highffyer, Hooves, and Horns: The Signiffcance of Coaching in Nineteenth-Century British Literature (Lincoln: University of Lincoln, 2022).
[4] Klambauer, Anna, ‘Red Rooms, Attics and Female Antics: The Representation of Mad Women in Jane Eyre and Wide Sargasso Sea’, Schizo: The Liberatory Potential of Madness, 2014, 63-73.
[5] Griesinger, Emily, ‘Charlotte Brontë’s Religion: Faith, Feminism, and Jane Eyre’, Christianity and Literature, 58:1 (2008), 29-59.
[6] Livesey, Ruth, Writing the Stage Coach Nation: Locality on the Move in Nineteenth-Century British Literature (Oxford: Oxford University Press, 2016).
[7] Lupold, Rebecca L, Dwelling and the Woman Artist in The Tenant of Wildfell Hall (Montanta: University of Montanta, 2008).
[8] Locy, Sharon, ‘Travel and Space in Charlotte Brontë’s Jane Eyre’, Paciffc Coast Philology, 37 (2002), 105-21.
[9] Matus, Jill L, Shock, Memory and the Unconscious in Victorian Fiction (Cambridge: Cambridge University Press, 2009).
[10] Pain, Rachel, ‘Geotrauma: Violece, Place and Repossession’, Progress in Human Geography, 45:5 (2021), 972-89.
[11] Parkins, Wendy, Victorian Sustainability in Literature and Culture (London: Routledge, 2018).
[12] Sukdolova, Alice, Concepts of Space in Victorian Novels (Univerzita Karlova: Filozoffcka fakulta, 2011).
DOI: http://dx.doi.org/10.18686/ahe.v8i12.14150
Refbacks
- There are currently no refbacks.





