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Research on the Aesthetic Language of Dong Architecture from the Perspective of Rural Revitalization

Juan Zhao

Abstract


Under the background of rural revitalization and the integration of culture and tourism, the construction of cultural venues in ethnic areas generally falls into the misconception of superficial symbolic imitation - simply copying traditional forms such as the roof of the drum tower and the wind and rain bridge, but stripping offits spatial logic and literary connotation. In response to this failure in cultural translation, this article takes the aesthetic language of Dong architecture as the object of study. First, it deconstructs its four core dimensions: spatial logic, structural rhythm, material texture and social order; and then analyzes the crux of the current design practice. The research aims to provide a methodological reference for regional architecture in rural revitalization from “form borrowing” to “logical regeneration”, and to help the lively inheritance of national culture.

Keywords


Dong Architecture; Aesthetic Language; Design Translation; Cultural Inheritance

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References


[1] Zhou Zhenkun, Kong Jing. Analysis of the aesthetic form of the drum tower symbol of the Sanjiang Dong nationality [J]. Art Literature, 2022(07): 148-150.

[2] Zhou Chunmei. On the aesthetic dimension of Dong architectural art [J]. Liuzhou Normal College Journal, 2015, 30(02): 4-6.

[3] Ouyang Weihua. Cultural changes and social functions of the architectural art of the drum tower of the Dong nationality [J]. Vocational University Newspaper, 2018(01): 42-46.

[4] Wang Hao, Li Chenrui, Liang Zheng, etc. Translation strategy of Suzhou classical garden landscape space based on landscape diagram language [J]. Garden, 2025, 42(12): 102-109.




DOI: http://dx.doi.org/10.18686/ahe.v9i9.14464

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