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An Analysis of the Cultural Connotation of Tibetan Fire Circle Dance in Baima, Gansu Province

Zhuqing Shi

Abstract


The fi re circle dance is the white horse person leisure and celebrates the festival the most common dance, is the white horse person combat product and the crystallization. Nowadays, the folk culture of the white horse people is even more mysterious.As the research on the white horse people goes deeper and deeper, more secrets about the origin and development of the white horse people are gradually solved, which plays a promoting role for the protection and inheritance of the fi re circle dance. This paper starts from the status quo of primitive Tibetan music and dance in baima county, gansu province, takes its unique music and sacrifi cial dance content as the research object, and studies the artistic form of “fi re circle dance” of baima Tibetan with the knowledge related to dance science, and systematically describes and explains the dance code domain and music cultural phenomenon.

Keywords


White horse Tibetan; Primitive music and dance; Fire circle dance; Cultural connotation

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References


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DOI: http://dx.doi.org/10.18686/ahe.v6i19.6264

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