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On Visual Perception in the Dance Drama Ambush on all Sides

Wenqi Song

Abstract


Based on the analysis of “visual perception” in the dance drama “ambush on all sides”, this paper makes a comprehensive analysis of “visual perception” in the dance drama “ambush on all sides” ambush on all sides “from the historical background,expression techniques, lighting, dance shape, dance beauty design, perception embodiment, etc., combined with the theoretical knowledge of art, drama, physiology and other disciplines, starting from” empty space “and” separation space “ Important role:through the analysis of the psychological perception expressed by the typical vision of the dance drama “ambush on all sides”,this paper analyzes the important role of “visual perception” and interprets the complementary relationship between “vision” and“perception” in the dance drama, and fi nally presents the important role of “visual perception” in the dance drama.

Keywords


Visual perception; Dance drama; Ambush on all sides

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References


[1] Ren Dongsheng. Visual Creation of the Dance Drama Banquet [J]. Dance Theater, 2016 ,pp.166-169.

[2] Chen Hui. The Situation and Content of Yang Liping’s Dance Drama Ambush on All Sides [J]. Dance, 2016 (1)

[3] Yu Youyou. A New Interpretation of “Interactive Dance” Works under the New Media Technology [J]. Beijing Dance Academy Campus News, 2015 (Supplement): 42-47.

[4] Ou Jianping. Foreign Dance History and Works Appreciation [M]. Beijing: Higher Education Press,no. 2008,pp.246-253.




DOI: http://dx.doi.org/10.18686/ahe.v6i22.6860

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