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The Application of Chinese National Spiritual Culture in Chinese Contemporary Painting

Ke Meng, Jie Xu, Yiming Liu, Yang Sun, Yiru Zhang

Abstract


Contemporary commemorative painting at the beginning of the 21st century not only has a stronger sense of self-respect but also has important characteristics of Chinese national culture in terms of inheriting and promoting the traditional culture of the nation. Many artists have the confidence to establish a personal language for contemporary art. From efforts to research, discover and manifest the contemporary value of Chinese national spiritual culture to the gradual abandonment of blind obedience to and appropriation of the aesthetic orientation of modern foreign art: it can be said that the creation of Chinese paintings on national themes at the beginning of the 21st century has presented the world with an image of China's artistic development and progress in all aspects.According to the survey of information, the author has collected many painting materials and found that many Chinese artists are studying ancient Chinese artists, looking for subjects with Chinese elements, such as mountains and forests that can soothe the soul, such as the traditional virtues of China since ancient times, and the open spaces that can purify themselves.

Keywords


Chinese national spirit; Chinese painting; Chinese art

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References


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[3] Dana (French) /translator: Fu Lei. The Philosophy of Art. – Zhejiang: Zhejiang People's Fine Arts Publishing House, 2017. – P. 21.

[4] Fengge, Q. The History of Modern Chinese Printmaking / Q. Fengge. – Guangdong: Lingnan Fine Arts Publishing House, 2010. – P. 24.

[5] Fuguan, X. The Spirit of Chinese Art / X. Fuguan. – Liaoning: Liaoning People's Publishing House, 2019. – P. 18-22.




DOI: http://dx.doi.org/10.18686/ahe.v7i2.7103

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