The Color Changes of Ink and Wash in Ming Dynasty Flower-an- Bird Paintings
Abstract
From the development history of coloring changes in Chinese painting, it can be seen that there is unity, compatibility, and complementarity between “ink wash” and “color”. The fusion of the two emerged in the Ming Dynasty, particularly in flower-and-bird paintings. This article starts with the characteristics of Ming and Qing fl ower-and-bird paintings, and explores the specific changes of the two in Ming and Qing flower-and-bird paintings.
Keywords
Ming Dynasty flower-and-bird paintings; Ink and wash; Color; Traditional Chinese painting
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[1] GUO Lina. Application of flower-and-bird Painting in ink Animation [J]. Drama Home,2017(16):109-109.
[2] LI Xiaxia. Ink Style in Flower-and-bird Paintings of Yuan Dynasty [D]. Tianjin: Tianjin University,2015.
DOI: http://dx.doi.org/10.18686/ahe.v7i15.8788
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