The Construction of Space and Image in the Film “The World of Yang Ming” under the Aesthetics of Dichotomous Structure Opposition
Abstract
As the Chinese film industry explores the suspense genre, newcomer director Liu Zimou has challenged and innovated with Yang Ming Li Wan, which has been labeled as “black humor”, “script-killing film” and “post-modern film” since its release. Since its release, Yankee Doodle Dandy has been labeled as “black humor”, “script-killer film” and “post-modern film”. Using structuralist dichotomy theory, this paper will analyze three aspects of the film: spatial construction, symbolic collage, and image construction, in order to explore the aesthetics of dichotomies in “The Famous”.
Keywords
Spatial construction; Symbolic collage; Dichotomous theory; The Young and the Restless
Full Text:
PDFReferences
[1] Shao Zhu-ning. Analysis of the enigma narrative of the film Yang Ming Li Wan [J]. Western Radio and Television, 2023,44(04): 190-192.
[2] Wen Fengshun. The fog of suspense in time restructuring--Analysis of the narrative time of Yang Ming Li Wan[J]. Western Radio and Television, 2023,44(01):139-141.
[3] Wang L. The “open” imagination and value of the closed space narrative in Yang Ming Li Wan[J]. DOI:10.16583/j.cnki.52-1014/j.2022.17.003.
[4] He Ying-ying. Yang Ming Li Wan: Representation and value of the narrative dimension[J]. Sound Screen World, 2022(14):47-49.
DOI: http://dx.doi.org/10.18686/ahe.v7i16.8989
Refbacks
- There are currently no refbacks.
