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A Comparison of the Artistic Features of the Book of Songs and Shakespeare’s Love Poems

Juan Long

Abstract


The Book of Songs in China and Shakespeare’s Sonnets are similar in their birth period, subject matter and literary status, and have strong comparability. Based on the theory of stratifi cation of works by Ingarden, the main representative of contemporary phenomenological aesthetics, this paper makes a comparative study of the artistic picture layer of works between the Book of Poetry in China and Shakespeare’s Sonnets, and analyzes the diff erent aesthetic ideals of countries with diff erent civilizations in China and the West.

Keywords


The Book of poetry; Shakespeare’s forty lines of poetry; Art picture

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References


[1] Shakespeare, translated by Zhu Shenghao, The Complete Works of Shakespeare, Beijing, People’s Literature Publishing House, 1988

[2] Shakespeare, Trans. Tu An, Sonnets, Shanghai, Shanghai Translation Publishing House, 1981

[3] Yuan Xingpei, Research on the Art of Chinese Poetry, Beijing, Peking University Press, 1996

[4] Chu Binjie, Complete Notes on the Book of Songs, Beijing, People’s Literature Publishing House, 1999

[5] Roman Ingarden, translated by Chen Yangu Xiaowei, Understanding of Literary Works of Art, Beijing, China Federation of Literary Publications, 1988

[6] Willian Henry Hudson, An Outline History of English Literature, London, Glasgow University Press, 1956

[7] W.J. Craig, M.A., The Complete Works of Shakespeare, London, Oxford University Press, 1928

[8] Stanley Wells, The Cambridge Companion to Shakespeare Studies, Cambridge University Press, 2000

[9] Jones R F，The Triumph of the English Language，USA：Stanford University Press，1953

[10] Helen Vendler, The Art of Shakespeare’ s Sonnets, Cambridge, Mass. and London: The Belknap Press of Harvard University Press, 1998, fourth printing




DOI: http://dx.doi.org/10.18686/ahe.v7i18.9144

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