A Study on Chorus Teaching in Monteverdi's Evening Prayer of the Virgin
Abstract
Monteverdi’s Evening Prayer of the Virgin absorbed the tunes of traditional poems, and applied all the new musical equipment at
the same time in one work, that is, recitals, arias, and all kinds of solo, chorus, and chorus and instrumental combinations. This article
focuses on Monteverdi's creative background and the historical environment of the Renaissance, and analyzes and studies the works of
Monteverdi's Evening Prayer of the Virgin.
the same time in one work, that is, recitals, arias, and all kinds of solo, chorus, and chorus and instrumental combinations. This article
focuses on Monteverdi's creative background and the historical environment of the Renaissance, and analyzes and studies the works of
Monteverdi's Evening Prayer of the Virgin.
Keywords
Monteverdi, Domine ad adiuvandum, Choir conductor, Renaissance
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[1] Traces to Nowhere, The Conductor Carlos Kleiber/Music is the Language of the Heart and Soul: A Portrait of Mariss Jansons/Georges Bizet[J] . Sharpe,Roderick L. Music Library Association. Notes . 2013 (3)
[2] The Score,the Orchestra,and the Conductor. Meier,Gustav. 2009
[3] Building Choral Excellence:Teaching Sight-Singing in the Choral Rehearsal. Steven M.Demorest. 2003
[4] “Prescriptions for Choral Excellence”. Mardirosian, Haig. The American Organist . 2006
DOI: http://dx.doi.org/10.18686/ahe.v7i22.9743
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